As a psychology major my
cognitive psychology classes have been extremely helpful in better understanding
and appreciating the complexity of neurons in a new way, and now, after
Professor Vesna’s lectures I have an all new perspective and appreciation.
Looking at numerous diagrams of neurons from my text books I’ve always thought
they were amazing, but seeing what they actually look like, it’s no wonder
artists are inspired by the intricacy and diversity of neurons. This is why
Ramon y Cajal’s quote, “Only artists are attracted to science,” (Vesna) really
strikes me. I have great respect for his talents in art and his knowledge and
discovery in science, it is inspirational to others who are also so drawn to
both fields of interest, which brings me to the article by Frazzetto and Anker
and how they talked about neuroscience as a culture of scientists and the
public working together in this world of uncertainty to answer the questions
that neuroscience beings up. In doing so they say that aspects of our
individuality will be revealed (Frazzetto & Anker 2009). I especially
appreciated how they mentioned ethical implications because the treatment of participants
in experiments should be an important concern for all experimenters and
scientists.
This also reminded me of
Ruth Leaf. She was a local printmaker who is well known for her etching and
woodcarving prints. I think of her when I think of what Ramon y Cajal said because
Leaf created this third image titled “Exited Synapse,” the bottom left print.
Leaf’s work is always striking and beautiful, but to produce her art she had an
extensive knowledge of science and the formulas for grounds and inks (Leaf
1976) required to make such intricate and stunningly colored prints. The book
she wrote, Intaglio Printmaking Techniques, is extremely technical and
would probably draw interest of anyone who enjoys working with chemicals in a
lab.
Works Cited:
Cajal, Ramon. Golgi-Stained Retinal Neurons. Digital
image. Webvision. 1892. Web. 14 May 2015. <http://webvision.med.utah.edu/book/part-ii-anatomy-and-physiology-of-the-retina/oute-plexiform/>.
Frazzetto, Giovanni, and Suzanne Anker.
"Neuroculture." Nature Reviews: Neuroscience 10 (2009): 815-21.
Macmillan Publishers Limited. Web. 13 May 2015.
Mastin, Luke. "Neurons & Synapses - Memory
& the Brain - The Human Memory." Neurons & Synapses - Memory &
the Brain - The Human Memory. Luke Mastin, 2010. Web. 17 May 2015. <http://www.human-memory.net/brain_neurons.html>.
Leaf, Ruth. "Formulas for Grounds and Inks."
Intaglio Printmaking Techniques. New York: Watson-Guptil Publications, 1976.
Print.
Leaf, Ruth. Microscopic World E: Nerve Cell, Cilia
Cell, Excited Synapse, Primordial Cell. Digital image. Ruth Leaf Printmaker.
Web. 13 May 2015. <http://ruthleaf.com/prints/microscopic-worlds-2/>.
Vesna, Victoria. “Neuroscience-pt1.mov” UC
online program. Youtube, 17 May 2012. Web. 12 May 2015. < https://www.youtube.com/watch?v=TzXjNbKDkYI&hd=1>.
Hi Morgan,
ReplyDeleteThanks for your post. I like the quote you mentioned: "Only artists are attracted to science." It reminds me of my real analysis class, where suddenly I found that people are actually like living in a computer simulated matrix world, and in some sense this is kind of pathetic. When I suddenly realized that almost everything can be explained by Mathematics and we can modify some equations to tell something can happen or not in the real world, I was like, wow, it just blew my mind. It's like everything has its destiny already except that we haven't found it yet, and the way to find it is through mathematics, the unique language that won't tell a lie.
Anyway, thanks again for this post. Seeing this reminds me of many things sadly beautiful:)